|
Young Marble Giants are a post-punk band formed in Cardiff, Wales in 1978. Their music is constructed around the vocals of Alison Statton along with the minimalist instrumentation of brothers Philip and Stuart Moxham. ==History== Young Marble Giants were formed from the ashes of 'True Wheel' which also included friends Matthew Davis and Louise Porter (later signed to EMI) Stuart Moxham wrote the majority of the band's songs, and his writing was often deceptively simple-seeming, giving the YMG's classic work a fragile yet powerful quality. Their sound was characterised by Phil's prominent bass lines, Stuart's rhythm guitar (a mapleglo Rickenbacker 425) and Galanti electric organ lines and Statton's tentative vocals. Stuart Moxham's girlfriend Wendy Smith lent Stuart the money to buy the Rickenbacker. Smith, an art student in Cardiff (and later in Nottingham) at the time the YMG's were forming, photographed the band's US tour and also designed cover art for several singles and albums by Weekend and The Gist, Stuart Moxham's later project. Very early in their existence, there was a fourth member of the band, Peter Joyce, who was a cousin of the Moxham brothers. Joyce was a telephone engineer and an electronics whizz, who had made his own synthesiser from a kit. This was a small touch-sensitive keyboard with an attache case-like box of circuitry, with several knobs and dials. It made sounds similar to Eno's synths in the early Roxy Music and Kraftwerk, who employed similar 'low-tech/high-tech' electronics. The YMGs used tape recordings of Peter's home-made drum machine (Roland didn't release the Boss DR-55, the first fully programmable drum machine, until 1979), since they had no desire to have a drummer. They were also interested in (by today's standards primitive) state of the art effects devices such as ring modulators and reverb units, with the emphasis always on simplicity. Their first vinyl release was on the compilation LP ''Is The War Over?'' on Cardiff DIY label, Z Block Records, in October 1979. While signed to UK independent record label, Rough Trade Records the YMGs released two EPs, ''Final Day'' and ''Testcard'', and one acclaimed and very influential album, ''Colossal Youth'' (a reference to the Early Greek 'Kouroi' marble statues, from which the YMGs took the inspiration for their name.) The band toured and played in the US and Europe; playing in Los Angeles, San Francisco, Vancouver, New York, and Berlin. Touring companions included the band Cabaret Voltaire. Musical influences included Eno, Kraftwerk, Neil Young, Lou Reed, The Velvet Underground, Roxy Music, David Bowie, Can and others. The band were acquainted with Scritti Politti, the band of Cardiff native Green Gartside, and ended up signed to the same label, Rough Trade Records. It was revealed in the 2003 book ''Journals'' that the band were, along with Scotland's The Vaselines, Kurt Cobain's favourite band. Courtney Love's band Hole covered the Young Marble Giants track "Credit In The Straight World"; a cover version of their song "The Man Amplifier" was included on The Magnetic Fields single "Why I Cry" as a b-side; and Drunken Boat covered the track "Salad Days" on their "New Pop" EP. Peter Buck of R.E.M. is another self-confessed fan of the YMGs. Stuart Moxham was a fan of Manchester guitarist Vini Reilly's early work, and was also very interested in Dub Reggae. Their single "Final Day" was covered by both Belle & Sebastian and Galaxie 500, and was included in ''The Pitchfork 500''. 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Young Marble Giants」の詳細全文を読む スポンサード リンク
|